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Broadcast Videotape Duplication
Betacam/Betacam SP Duplication |
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Betacam and Betacam SP was designed by Sony in the 1980's. It is the primary video format world-wide. It was created for professional use and advanced features such as Time Code and full editing functionality.
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3/4" U-matic Duplication |
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U-matic is a professional videotape used to record high quality video. It is however a magnetic tape which can lose quality overtime. Every time it is viewed the quality is diminished. It can also be destroyed by dust and moisture and so on.
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DVCAM Duplication |
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DVCAM
is a video format introduced in 1996. It has become one of the standards for consumer video production. Created by Sony, it is a semi-professional
version of the DV standard which utilizes the same cassettes as DV and MiniDV but provides better audio and video quality.
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MiniDV Duplication |
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DVCAM is a video format introduced in 1996. It has become one of the standards for consumer video production. Created by Sony, it is a semi-professional
version of the DV standard which utilizes the same cassettes as DV and MiniDV but provides better audio and video quality.
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DVC Pro Duplication |
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Panasonic specifically created the DVCPRO family for electronic news gathering (ENG) use, with better linear editing capabilities and robustness. Audio is only available in the 16 bit/48 kHz variant, there is no EP mode, and DVCPRO always uses 4:1:1 color subsampling (even in PAL mode).Standard DVCPRO (also known as DVCPRO25) is otherwise identical to DV at a bitstream level.
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D2 Duplication |
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Four audio channels are available for editing as well as an analog cue channel. D-2 was the first digital tape format to offer "read before write" (an Ampex term) also known as "preread" on Sony recorders. Read before write allowed simultaneous playback and recording on the same VTR.
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1" Duplication |
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1 inch Type C is capable of "trick-play" functions such as still, shuttle, and variable-speed playback - slow motion. These were capabilities that 2 inch Quad was not capable of, due to its segmented nature of recording the video tracks onto the tape. Also, 1 inch Type C VTRs required much less maintenance (and used less power & space) than did 2 inch Quad.
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Broadcast Videotape to DVD
Betacam/Betacam SP to DVD |
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Betacam and Betacam SP was designed by Sony in the 1980's. It is the primary video format world-wide. It was created for professional use and advanced features such as Time Code and full editing functionality.
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3/4" U-matic to DVD |
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U-matic is a professional videotape used to record high quality video. It is however a magnetic tape which can lose quality overtime. Every time it is viewed the quality is diminished. It can also be destroyed by dust and moisture and so on.
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DVCAM to DVD |
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DVCAM
is a video format introduced in 1996. It has become one of the standards for consumer video production. Created by Sony, it is a semi-professional
version of the DV standard which utilizes the same cassettes as DV and MiniDV but provides better audio and video quality.
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MiniDV to DVD |
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DVCAM is a video format introduced in 1996. It has become one of the standards for consumer video production. Created by Sony, it is a semi-professional
version of the DV standard which utilizes the same cassettes as DV and MiniDV but provides better audio and video quality.
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DVC Pro to DVD |
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Panasonic specifically created the DVCPRO family for electronic news gathering (ENG) use, with better linear editing capabilities and robustness. Audio is only available in the 16 bit/48 kHz variant, there is no EP mode, and DVCPRO always uses 4:1:1 color subsampling (even in PAL mode).Standard DVCPRO (also known as DVCPRO25) is otherwise identical to DV at a bitstream level.
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D2 to DVD |
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Four audio channels are available for editing as well as an analog cue channel. D-2 was the first digital tape format to offer "read before write" (an Ampex term) also known as "preread" on Sony recorders. Read before write allowed simultaneous playback and recording on the same VTR.
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1" to DVD |
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1 inch Type C is capable of "trick-play" functions such as still, shuttle, and variable-speed playback - slow motion. These were capabilities that 2 inch Quad was not capable of, due to its segmented nature of recording the video tracks onto the tape. Also, 1 inch Type C VTRs required much less maintenance (and used less power & space) than did 2 inch Quad.
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